The Routledge Handbook of Remix Studies and Digital Humanities

This companion reflects on remix across media and culture, exploring the relationship between remix studies and the digital humanities. It includes practical and theoretical chapters, focusing on practice-based projects and offering critical reflections on the contemporary implications of these areas of study.

Format: Paperback / softback
Length: 562 pages
Publication date: 25 September 2023
Publisher: Taylor & Francis Ltd

In this expansive and interdisciplinary companion, contributors delve into the realm of remix across various media and cultural contexts, offering in-depth insights into the interplay between remix studies and the digital humanities. The anthology is structured into sections that examine remix studies and digital humanities in relation to diverse topics, including archives, artificial intelligence, cinema, epistemology, gaming, generative art, hacking, pedagogy, sound, and virtual reality. Selected chapters highlight practice-based projects created by artists, designers, remix studies scholars, and digital humanists. By combining practical and theoretical chapters, editors Navas, Gallagher, and Burrough provide a rich tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities. This book serves as an invaluable reference manual for students and scholars engaged in digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digital media studies.

Introduction:
The Remix: A Cultural and Technological Phenomenon
Remixing has become an increasingly prevalent phenomenon in our digital age, where individuals and communities engage in the reworking, reimagining, and repurposing of existing media and cultural content. From music and video to literature and art, remixing has transcended traditional boundaries and has emerged as a powerful tool for creativity, expression, and cultural critique.

Remix Studies and the Digital Humanities:
The study of remix has gained significant attention within the realm of the digital humanities, as it intersects with various fields such as media studies, cultural studies, and information studies. Remix studies explore the ways in which individuals and communities use digital technologies to create, share, and circulate new forms of cultural expression. It examines the ethical, social, and political implications of remixing, as well as the ways in which it challenges traditional notions of authorship, copyright, and intellectual property.

Theoretical Approaches:
Remix studies employ a range of theoretical frameworks to analyze and understand the phenomenon of remixing. These frameworks include cultural studies, which examines the ways in which culture is produced, reproduced, and consumed; media studies, which focuses on the role of media in shaping society; and information studies, which explores the ways in which information is created, distributed, and consumed.

Practical Applications:
Remixing has practical applications in various fields, including art, design, education, and activism. Artists and designers use remixing to create new works of art that draw on existing cultural content, while educators use remixing to engage students in critical thinking and creativity. Activists use remixing to raise awareness about social and political issues and to challenge dominant narratives.

Conclusion:
In conclusion, this companion offers a comprehensive and interdisciplinary exploration of remix across media and culture. It provides valuable insights into the relationship between remix studies and the digital humanities, highlighting the ethical, social, and political implications of remixing. By examining the practical applications of remixing, this book serves as a valuable resource for students, scholars, and practitioners interested in the evolving field of digital humanities and remix studies.

Weight: 1088g
Dimension: 179 x 255 x 34 (mm)
ISBN-13: 9780367698805