The Scene of the Voice challenges the dismissal of language in contemporary critical theory by showing its connection to the problem of mimesis. It argues that separating language and sensibility fails to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke.

Format: Hardback
Length: 314 pages
Publication date: 01 March 2023
Publisher: State University of New York Press

The Dismissal of Language in Contemporary Critical Theory

Recent turns to affect and aesthetics in the humanities and interpretive social sciences have been productive for reflecting on the crucial role sensibility plays in the constitution of the social. However, these scholarly developments construct their interventions by dismissing the attention to language that was central to the linguistic and cultural turns of previous eras and by claiming that language is an obstacle to experiencing the reality of difference to which they maintain only sensibility can grant access. By analyzing the figure of the voice in the work of Martin Heidegger and the continental thinkers who follow him, The Scene of the Voice shows that the dismissal of language in favor of sensibility requires overlooking their common connection in the problem of mimesis. As this book ultimately argues, artificially separating language and sensibility results in a failure to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke.

Weight: 616g
Dimension: 158 x 237 x 26 (mm)
ISBN-13: 9781438492520