Skip to product information
1 of 1

Rebeccah Bechtold

The Sonic South: Nineteenth-Century Plantation Literature

The Sonic South: Nineteenth-Century Plantation Literature

💎 Earn 230 Points (£2.30) on this item.

ORDERED FOR YOU

We can order this item for you. Delivery usually takes about 4 to 6 weeks.

This item is not held in our immediate stock. We will order it for you after checkout.

Estimated delivery: About 4 to 6 weeks

Regular price £46.02 GBP
Regular price £52.00 GBP Sale price £46.02 GBP
Sale Sold out
Taxes included. Shipping calculated at checkout.

YOU SAVE £5.98

  • Condition: Brand new
  • UK Delivery times: Usually arrives within 2 - 3 working days
  • UK Shipping: Fee starts at £2.39. Subject to product weight & dimension

Bulk ordering. Want 15 or more copies? Get a personalised quote and bigger discounts. Learn more about bulk orders.

  • More about The Sonic South: Nineteenth-Century Plantation Literature
An examination of the influence of white listening practices on literary representations of the plantation SouthEarly colonial histories of the plantation South often relied on multisensory descriptions to construct an image of the region as a "land of beauty." While these early accounts are rich in visual and tactile imagery, aural impressions played an important role in constructing its paradisiacal nature. To truly enjoy this southern Elysium, however, necessitated a kind of selective hearing—a willingness to shut one's ears to the sounds of slavery. While travelers south frequently remarked on the aural disconnect between the South they first longed for and the one they found, antislavery activists worked tirelessly from the 1830s on to heighten this sonic dissonance, encouraging listeners to "open" their ears "to the cries, tears and groans" of the enslaved, as David Walker called for in his Appeal. In The Sonic South, Rebeccah Bechtold traces the legacy of these ways of hearing in the popular plantation literature of the 1830s to 1860s, studying how white listeners both heard and imagined the plantation South and its Black communities. While proslavery writers like William L. G. Smith and Caroline Hentz contended that the physiological differences between whites and Blacks could be tracked in how each heard the world around them, antislavery writers like Harriet Beecher Stowe, James Robert Gilmore, Epes Sargent, and Lydia Maria Child relied on sound's more ephemeral qualities to highlight the potential potency of Black voices to unsettle the status quo, illustrating in the process how easily the idealized southern soundscape could erode. Bechtold argues that, collectively, these writings demonstrate the importance of the southern soundscape to the South's regional identity and to white perceptions of the enslaved.
  • Publication date: 1 September 2026
  • Page count: 240
  • Dimensions: Height 229 mm; Width 152 mm
  • Publisher: University of Pennsylvania Press
  • Format: Hardback
  • ISBN-13: 9781512829921

UK and International shipping information

UK Delivery and returns information:

  • Delivery within 2 - 3 days when ordering in the UK.
  • Shipping fee for UK customers from £2.39. Fully tracked shipping service available.
  • Returns policy: Return within 30 days of receipt for full refund.

International deliveries:

Shulph Ink now ships to Australia, Belgium, Canada, France, Germany, Ireland, Italy, India, Luxembourg Saudi Arabia, Singapore, Spain, Netherlands, New Zealand, United Arab Emirates, United States of America.

  • Delivery times: within 5 - 10 days for international orders.
  • Shipping fee: charges vary for overseas orders. Only tracked services are available for most international orders. Some countries have untracked shipping options.
  • Customs charges: If ordering to addresses outside the United Kingdom, you may or may not incur additional customs and duties fees during local delivery.
View full details