The Venice Biennale and the Asia-Pacific in the Global Art World

This monograph explores the development of international contemporary art trends in the Asia-Pacific region, focusing on the national pavilions of the Venice Biennale. It examines the spatial and visual representation of contemporary art, national cultural trends, and the politics behind national selections. It also discusses curatorial practices and artistic trends that address major economic, cultural, religious, and environmental issues from non-European art centers.

Format: Paperback / softback
Length: 214 pages
Publication date: 29 January 2024
Publisher: Taylor & Francis Ltd

This comprehensive monograph delves into the evolution of international contemporary art trends within the Asia-Pacific region, encompassing Australia, Japan, and Korea, as well as 16 additional national entities with less continuous participation in this global art event. By examining the spatial and visual representation of contemporary art showcased at the Venice Biennale, along with the politics behind national selections, the monograph offers valuable insights into various critical aspects of the global art industry. The analysis spans national cultural trends and strategies, the transformation of peripheral regions to the forefront of the Biennale, the geopolitical dynamics in securing exhibition space, curatorial practices for presenting contemporary art, and artistic movements that address significant economic, cultural, religious, and environmental issues originating from non-European art centers. This monograph is of immense interest to scholars in art history, museum studies, and Asia-Pacific cultural history.

Introduction:
The Venice Biennale, a prestigious international art exhibition, serves as a vital platform for exploring the development of contemporary art trends across the Asia-Pacific region. This monograph aims to examine the evolving landscape of international contemporary art within this region, including Australia, Japan, and Korea, as well as 16 additional national entities with less continuous participation in the global art event. By analyzing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph seeks to provide insights into a range of significant elements of the global art industry.

National Cultural Trends and Strategies:
The monograph delves into the examination of national cultural trends and strategies within the Asia-Pacific region. It explores how these trends influence the selection of artists and artworks for exhibition at the Venice Biennale. It also examines the ways in which national governments and cultural institutions shape the artistic landscape and promote the development of contemporary art in their respective countries.

Inversion of the Peripheral to the Centre Stage of the Biennale:
One of the key themes of the monograph is the inversion of the peripheral to the centre stage of the Venice Biennale. It explores how artists from non-European art centers are increasingly gaining recognition and visibility at the Biennale, challenging the traditional dominance of Western art institutions. The monograph examines the strategies employed by artists and curators from these regions to gain exhibition space and promote their work on a global scale.

Geopolitics in Gaining Exhibition Space at the Venice Biennale:
Geopolitics plays a significant role in gaining exhibition space at the Venice Biennale. The competition for exhibition space is intense, with countries from all over the world vying for the limited spots available. The monograph examines the political considerations and power dynamics that shape the selection process for national pavilions at the Biennale. It explores how geopolitical tensions, economic interests, and cultural exchange programs influence the distribution of exhibition space and the representation of different regions and countries.

Curatorial Practices for Contemporary Art Presentation:
Curatorial practices for contemporary art presentation are another critical aspect of the monograph. It explores how curators shape the interpretation and presentation of contemporary art at the Venice Biennale. It examines the curatorial strategies employed to create immersive and engaging experiences for visitors, as well as the ways in which curators navigate the complexities of representing diverse artistic voices and perspectives.

Artistic Trends that Seek to Deal with Major Economic, Cultural, Religious, and Environmental Issues:
The monograph also examines artistic trends that seek to deal with major economic, cultural, religious, and environmental issues emerging from non-European art centers. It explores how artists from these regions are addressing these issues through their work, using a range of artistic mediums, including painting, sculpture, installation, and performance. The monograph examines the ways in which these artists are challenging traditional narratives and promoting social and political change.

Conclusion:
In conclusion, this monograph provides a comprehensive analysis of the development of international contemporary art trends within the Asia-Pacific region, encompassing Australia, Japan, and Korea, as well as 16 additional national entities with less continuous participation in the global art event. By examining the spatial and visual representation of contemporary art showcased at the Venice Biennale, along with the politics behind national selections, the monograph offers valuable insights into various critical aspects of the global art industry. The analysis spans national cultural trends and strategies, the transformation of peripheral regions to the forefront of the Biennale, the geopolitical dynamics in securing exhibition space, curatorial practices for presenting contemporary art, and artistic movements that address significant economic, cultural, religious, and environmental issues originating from non-European art centers. This monograph is of immense interest to scholars in art history, museum studies, and Asia-Pacific cultural history.

Weight: 453g
Dimension: 246 x 174 (mm)
ISBN-13: 9780367499808