Theatre and Cancer

The book "Theatre and Cancer" explores the complex relationship between theater and cancer, challenging conventional narratives and advocating for an alternative approach to understanding cancer in relation to the genre of "cancer performance." It is ideal for undergraduate and postgraduate students of theater, performance, and disability studies.

Format: Paperback / softback
Length: 86 pages
Publication date: 17 June 2019
Publisher: Macmillan Education UK

This captivating and insightful new title in the Theatre And series delves into the intricate and challenging relationship between theatre and cancer. It explores diverse representations of cancer in fictional realms and autobiographical performances, while also shedding light on innovative works that reimagine and revitalize the genre of 'Cancer Performance.' Challenging traditional narratives that often pit tragedy against survival, Brian Lobel advocates for a fresh perspective on understanding cancer in the context of theatre. Written in a concise yet thought-provoking manner, this book is an invaluable resource for undergraduate and postgraduate students of theatre, performance, and disability studies.

Introduction:
Theatre has long been a powerful medium for exploring the human experience, including the complexities of illness and disease. Cancer, as a devastating medical condition, has captured the attention of artists and audiences alike, prompting them to explore its impact on individuals and society. In this book, we will examine the complex relationship between theatre and cancer, exploring how it has been represented, interpreted, and used as a tool for healing and empowerment.
Representations of Cancer in Fictional Worlds:
One of the most common ways in which cancer is portrayed in theatre is through fictional narratives. Plays, musicals, and films have been used to tell stories of individuals affected by cancer, providing a platform for exploring the emotional, physical, and psychological toll of the disease. These works often challenge traditional stereotypes and narratives, offering a more nuanced and realistic portrayal of cancer patients and their experiences.
For example, playwright Tony Kushner's Pulitzer Prize-winning play, "The Humans," tells the story of a family dealing with the diagnosis and treatment of cancer. The play explores the emotional struggles of the characters, including the father's denial, the mother's desperation, and the children's confusion and fear. Through its powerful performances and honest portrayal of the disease, "The Humans" has become a touchstone for discussions about cancer and its impact on families.
Similarly, filmmaker Steven Soderbergh's film "Side Effects" explores the complexities of pharmaceutical drug development and its impact on patients. The film follows a woman who takes a new medication for her cancer, only to discover that it has unexpected side effects that complicate her treatment and her life. "Side Effects" is a thought-provoking exploration of the ethical and medical implications of drug development, and it has received critical acclaim for its nuanced portrayal of cancer patients and their caregivers.
Autobiographical Performances:
In addition to fictional narratives, theatre has also been used to explore the experiences of individuals with cancer through autobiographical performances. These performances allow artists to share their personal stories and experiences with cancer, providing a powerful means of catharsis and healing.
For example, playwright and performer Lisa Kron's one-woman show, "Well," tells the story of her journey through cancer treatment and recovery. Kron's performance is raw and emotional, offering a glimpse into the physical and emotional toll of cancer and the resilience of the human spirit.
Similarly, musician and cancer survivor Dave Grohl's documentary, "The Sound of Silence," explores his experience with cancer and its impact on his music. Grohl's documentary is a powerful testament to the power of music to heal and inspire, and it has touched the lives of countless individuals affected by cancer.
Reimagining and Reinvigorating the Genre of 'Cancer Performance':
While theatre has been a valuable tool for exploring cancer, there is still room for innovation and reinvention in the genre of 'Cancer Performance.' Artists are increasingly exploring new ways to engage with audiences and create meaningful experiences that address the complexities of cancer.
For example, playwright health educator and performer Sarah Ruhl's play, "In the Wake of the Flood," explores the experiences of a family dealing with the diagnosis and treatment of cancer. Ruhl's play combines elements of theatre, dance, and visual art to create a multi-dimensional experience that addresses the emotional, physical, and spiritual aspects of cancer.
Similarly, choreographer and performer Meredith Monk's work, "Quarry: The Rally," explores the experiences of individuals with cancer and their caregivers. Monk's work combines dance, music, and text to create a powerful and immersive experience that addresses the emotional and physical toll of cancer.
In conclusion, the relationship between theatre and cancer is a complex and multifaceted one. Theatre has been used to explore diverse representations of cancer in fictional worlds, autobiographical performances, and innovative works that reimagine and revitalize the genre of 'Cancer Performance.' By challenging traditional narratives and offering a fresh perspective on understanding cancer, theatre has the potential to provide a powerful means of healing, empowerment, and social change. As we continue to navigate the challenges of cancer, it is important to continue to support and promote the work of artists who are using their creativity to address this important issue.

Weight: 90g
Dimension: 137 x 98 x 7 (mm)
ISBN-13: 9781352006469
Edition number: 1st ed. 2019