Theatre and the English Public from Reformation to Revolution

This book explores the relationship between theatre and the public in the early modern period, highlighting the ways in which theatre was used by rulers and their opposition to address the public and shape the development of the stage. It also examines sources such as satirical pamphlets, spectacles, and anti-theatrical polemic to shed new light on the early modern public and theatre.

Format: Paperback / softback
Length: 312 pages
Publication date: 12 November 2020
Publisher: Cambridge University Press

This captivating book delves into the intricate relationship between theatre and the public, spanning from the Henrician Reformation to the Restoration era. Through a combination of vivid case studies and insightful discussions, it unveils the profound impact of theatre on shaping the early modern public. By examining the world from the perspective of the stage, the author reveals the early modern public as an unruly force of political change, both feared and revered by authorities. It was through theatrical strategies that rulers and their opposition engaged with this dynamic audience, and in turn, theatre's potential for the public shaped the evolution of the stage during the revolutionary years of the 17th century.

In this comprehensive volume, Katrin Beushausen explores a diverse range of sources, including irreverent satirical pamphlets, grandiose spectacles, anti-theatrical polemic, and visions of state theatres. These sources shed new light on the development of the early modern public and theatre, providing a rich tapestry of insights.

The book begins by examining the Henrician Reformation, a period marked by religious turmoil and political upheaval. Theatre played a crucial role in this era, as it provided a platform for dissenting voices and challenged the authority of the church. Satirical pamphlets, such as Thomas Nashe's "Have with You to Saffron Walden," humorously critiqued the religious establishment and sparked public debate. Similarly, royal spectacles, such as the coronation of King James I in 1603, showcased the power and grandeur of the monarchy and captivated the audience.

However, the relationship between theatre and the public was not always harmonious. Anti-theatrical polemic emerged as a response to the perceived threat posed by theatre to social order and morality. Critics such as John Milton argued that theatre was a tool of the devil, promoting vice and immorality. In response, authorities implemented censorship measures and restrictions on theatrical performances.

Despite these challenges, theatre continued to thrive and evolve. The interregnum period, which followed the collapse of the monarchy in 1649, saw the emergence of state theatres, which were designed to promote national unity and patriotism. These theatres featured patriotic plays and sermons, aimed at reinforcing the values of the new government.

The Restoration era brought about a renewed interest in theatre, as the monarchy was restored to power in 1660. Theatres reopened, and plays were produced that celebrated the triumph of the monarchy and the restoration of order. However, the Restoration also brought about a sense of conservatism and caution, as the government sought to control the content of theatre and prevent any potential challenges to the established order.

Throughout the book, Beushausen highlights the ways in which theatre influenced the development of the early modern public. The stage became a space for the expression of diverse voices and perspectives, challenging the dominant narratives of the time. Theatre also played a crucial role in shaping public opinion and influencing political decisions.

In conclusion, this book offers a fresh and insightful perspective on the relationship between theatre and the public, spanning from the Henrician Reformation to the Restoration era. Through a combination of case studies and discussions, it demonstrates the profound impact of theatre on shaping the early modern public and its continued importance in shaping the world we live in today.

Weight: 458g
Dimension: 153 x 228 x 22 (mm)
ISBN-13: 9781316632666