Theatre from Rhodesia to Zimbabwe: Hegemony, Identity and a Contested Postcolony

This collection explores the history of Zimbabwean theatre, focusing on the impact of colonialism, indigenous and syncretic popular forms, and political ideas on the field. It highlights the contested post-colony in contemporary theatre practice and the intersection of political, cultural, and performative discourses.

Format: Hardback
Length: 273 pages
Publication date: 07 July 2021
Publisher: Springer Nature Switzerland AG

This collection brings together the voices of practitioners and scholars who have firsthand experience working in Zimbabwean theatre, spanning from the last days of Rhodesia to Zimbabwe. It explores the long continuum of developments in local theatre history as a case of the intrusive hegemonies that accompanied colonial Rhodesia as a conquest society, as well as the localized identities that emerged in the form of the persistence of indigenous and syncretic popular forms. Over time, these elements coalesced to shape the complex tapestry of post-colony in contemporary theatre practice in Zimbabwe.

The primary focus of the scholars represented here lies at the intersection of political, cultural, and performative discourses, as well as the flow of Zimbabwean history. Their research extends beyond the history of performance cultures in postcolonial Zimbabwe to encompass the broader history of political ideas that gave rise to cultural contestation within the realm of theatre and performance.

The voices in this collection come from diverse regions around the world, reflecting the international scope of Zimbabwean theatre. They offer a rich tapestry of perspectives and insights, shedding light on the complex dynamics and challenges faced by the theatre community in Zimbabwe. From the historical roots of colonialism and its impact on cultural identity to the ongoing struggles for social justice and democracy, the collection provides a comprehensive examination of the role of theatre in shaping Zimbabwean society and culture.

One of the key themes that emerges from the collection is the struggle for representation and inclusivity in Zimbabwean theatre. The practitioners and scholars featured here advocate for a more diverse and inclusive theatre landscape that reflects the diverse experiences and perspectives of the Zimbabwean people. They highlight the importance of challenging dominant narratives and promoting alternative voices and narratives that challenge the status quo.

Another important theme is the role of theatre in promoting social change and activism in Zimbabwe. The collection showcases how theatre has been used as a platform for raising awareness about social issues, advocating for political reform, and mobilizing communities for action. Through performance, theatre has the power to inspire, educate, and empower individuals and communities to take collective responsibility for their futures.

The collection also explores the challenges and opportunities that arise from the intersection of theatre and politics in Zimbabwe. The theatre community has faced numerous obstacles, including censorship, government interference, and economic hardships, which have hindered their ability to produce and perform. However, it has also responded creatively and resiliently, using innovative techniques and forms of resistance to continue to thrive and contribute to the broader social and political discourse.

In conclusion, this collection offers a valuable insight into the rich and complex history of Zimbabwean theatre. It provides a platform for practitioners and scholars to share their experiences, perspectives, and ideas, and contributes to the ongoing dialogue about the role of theatre in shaping society
Zimbabwean society and culture. Through its exploration of the historical, political, cultural, and performative dimensions of Zimbabwean theatre, the collection sheds a light on the ongoing struggles and achievements of the theatre community in Zimbabwe, and its potential for fostering social change and promoting a more inclusive and democratic society.

Weight: 512g
Dimension: 219 x 156 x 23 (mm)
ISBN-13: 9783030745936
Edition number: 1st ed. 2021