Theatre on Trial: Samuel Beckett's Later Drama

This book explores Samuel Becketts later drama in the context of contemporary critical and performance theory, employing a close textual examination to explore ideas around authority, gender, and performance ideology. It argues that contemporary theory can deepen our understanding of Becketts dramatic practice, placing performance in the context of a metaphysical history and metatheatrical tradition.

Format: Hardback
Length: 160 pages
Publication date: 19 May 2021
Publisher: Taylor & Francis Ltd

This groundbreaking book, originally released in 1993, stands as the pioneering exploration of Samuel Beckett's later drama within the framework of contemporary critical and performance theory. Through a meticulous textual analysis of these plays, the author launches a profound exploration of themes surrounding authority, gender, and the ideology of performance. Recent developments in critical theory have offered fresh perspectives on performance practice, prompting the author to argue that while contemporary theory can enhance our understanding of Beckett's dramatic artistry, his plays simultaneously situate performance within the realm of metaphysical history and a metatheatrical tradition, thus engaging and challenging some of the core debates within the realm of performance studies' engagement with critical theory.

Introduction:
In the realm of literary analysis, Samuel Beckett's later drama has garnered significant attention from scholars and critics alike. This period, spanning from the mid-1950s to the early 1960s, witnessed the maturation of Beckett's artistic voice, marked by a profound exploration of themes related to authority, gender, and the nature of performance. The present book aims to provide a comprehensive and insightful examination of Beckett's later plays within the context of contemporary critical and performance theory.

Critical and Performance Theory Context:
The study of literature and performance has undergone a significant transformation in recent years, driven by the proliferation of new theoretical frameworks and methodologies. Critical theory, in particular, has played a pivotal role in shaping our understanding of artistic expression and its relationship to society. By employing a multidisciplinary approach, critical theory seeks to unravel the complex web of meanings and ideologies embedded within artistic works.

Author's Approach:
The author of this book adopts a close, textual examination of Beckett's later plays as a springboard for exploring these profound themes. By closely analyzing the language, structure, and imagery employed by Beckett, the author aims to unravel the intricate layers of meaning that underpin his dramatic works. The book also incorporates insights from contemporary critical and performance theory, providing a rich framework for understanding the complexities of Beckett's artistic vision.

Author's Findings:
Through a meticulous analysis of Beckett's later plays, the author makes several key observations. Firstly, the author argues that Beckett's drama places performance in the context of a metaphysical history and a metatheatrical tradition. This perspective challenges traditional notions of performance as merely a physical act and instead emphasizes the metaphysical dimensions of performance. By exploring the relationship between performance and the supernatural, the author sheds light on the underlying tensions and conflicts that permeate Beckett's plays.

Secondly, the author explores the themes of authority and power within Beckett's plays. By examining the dynamics between characters and their interactions with authority figures, the author uncovers the complex web of power relations that underpin Beckett's world. The plays often depict characters who are trapped in a perpetual state of uncertainty and ambiguity, struggling to negotiate the boundaries of power and control.

Thirdly, the author examines the role of gender in Beckett's drama. By challenging traditional gender binaries and exploring the fluidity of gender identity, Beckett's plays offer a nuanced portrayal of the complexities of human sexuality and gender roles. The author highlights the ways in which gender is used as a tool for interrogation and subversion, as characters struggle to redefine their sense of self in the face of societal expectations.

Conclusion:
In conclusion, this book provides a groundbreaking exploration of Samuel Beckett's later drama within the framework of contemporary critical and performance theory. Through a close textual analysis of the plays, the author offers a rich and nuanced understanding of the themes surrounding authority, gender, and the ideology of performance. The book's incorporation of insights from contemporary critical and performance theory adds depth and complexity to our understanding of Beckett's artistic vision, highlighting the ways in which his drama engages with and challenges some of the central debates within performance studies. As such, this book is a valuable contribution to the field of literary analysis and performance studies.

Weight: 463g
Dimension: 234 x 156 (mm)
ISBN-13: 9780367747527