Theory for Theatre Studies: Emotion

Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and how it is embodied and experienced within theatrical practice. It includes case studies of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsens A Dolls House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group.

Format: Paperback / softback
Length: 200 pages
Publication date: 14 January 2021
Publisher: Bloomsbury Publishing PLC

The study of emotion in theater, performance, and contemporary society is explored in Theory for Theatre Studies: Emotion. This comprehensive book delves into the complex mechanisms through which emotions are conveyed on stage, illuminating the rich tapestry of theatrical expression from ancient Greek philosophers to modern-day masters. Spanning a wide range of historical and artistic contexts, the book offers a comprehensive examination of the role of emotion in shaping theatrical experiences.

From Aristotle's seminal works on tragedy to Shakespeare's profound exploration of human nature, theater has long been a vessel for expressing and exploring the full spectrum of human emotions. The works of influential figures such as Stanislavski, Brecht, and Caryl Churchill continue to shape our understanding of how emotion is embodied and communicated on stage.

The term "emotion" encompasses a wide range of psychological and physiological phenomena, including emotions, emotional feelings, affects, and moods. In this book, the authors examine how these concepts are embodied and experienced within theatrical practice, and they offer theoretical frameworks to explain their significance. By drawing on interdisciplinary approaches, including psychology, sociology, and performance studies, the authors provide a holistic understanding of emotion as a performance component.

Throughout the book, detailed case studies are presented, showcasing the diverse ways in which emotion is developed and communicated in theater. These case studies include classic plays such as Medea, Twelfth Night, The Caucasian Chalk Circle, and Ibsen's A Doll's House, as well as contemporary performances by renowned artists such as Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. Through these compelling case studies, readers gain a deep appreciation for the artistry and innovation that lie at the heart of emotional performance.

Theory for Theatre Studies: Emotion is an essential resource for students, scholars, and practitioners of theater and performance. It offers a comprehensive and interdisciplinary approach to the study of emotion, providing valuable insights into the complex mechanisms through which emotions are created, experienced, and communicated on stage. By exploring the rich tapestry of theatrical expression, the book encourages readers to consider the role of emotion in shaping our understanding of the world and our place within it.

In addition to its academic value, the book also serves as a practical guide for artists and performers seeking to enhance their emotional communication skills. The authors offer practical exercises and techniques for developing and refining emotional expression, and they provide valuable insights into the creative process of shaping and delivering powerful performances.

With its engaging writing style, comprehensive coverage, and rich array of case studies, Theory for Theatre Studies: Emotion is a must-read for anyone interested in the power of theater to evoke and explore emotion. Whether you are a seasoned theater practitioner or a newcomer to the field, this book will deepen your understanding of the emotional landscape of performance and inspire you to create innovative and emotionally resonant work.

In conclusion, Theory for Theatre Studies: Emotion is a groundbreaking work that offers a comprehensive and interdisciplinary exploration of the role of emotion in theater, performance, and contemporary society. By drawing on a rich tapestry of historical and artistic contexts, the book provides valuable insights into the complex mechanisms through which emotions are created, experienced, and communicated. Through its detailed case studies and practical guidance, the book encourages readers to consider the role of emotion in shaping our understanding of the world and our place within it. Whether you are a student, scholar, artist, or performer, this book is a must-read for anyone interested in the power of theater to evoke and explore emotion.

Weight: 228g
Dimension: 129 x 197 x 20 (mm)
ISBN-13: 9781350030848