Transnational Perspectives on Feminism and Art, 1960-1985

Transnational Perspectives on Feminism and Art,1960–1985 is a collection of essays that explores the intersection of gender, sexual politics, race, class, sovereignty, Indigeneity, citizenship, and migration in feminist art practices and processes from the 1960s to the early 1980s. It argues that reconsidering this period from transnational feminist perspectives can lead to new insights into the critical commonalities and differences between heterogeneous and geographically dispersed practices.

Format: Hardback
Length: 226 pages
Publication date: 29 April 2021
Publisher: Taylor & Francis Ltd

Transnational Perspecives on Feminism and Art,1960-1985 is a comprehensive collection of essential essays that delve into the intersection of transnational feminist practices and histories of feminist art during the 1960s, 1970s, and early 1980s. Within these pages, artistic practices and processes are explored, focusing on gender and sexual politics as they intertwine with race, class, sovereignty, Indigeneity, citizenship, and migration at specific historical junctures and within distinct geopolitical contexts. The central premise of the book is that reevaluating this period through transnational feminist lenses offers a fresh perspective on the critical commonalities and differences that arise across diverse and geographically dispersed practices, contributing to the intricate and multifaceted relationship between feminism and art in the present day.

This book will appeal to scholars engaged in art history, cultural studies, visual culture, material culture, and gender studies. It provides a rich and insightful examination of the complex dynamics between feminism and art across different regions and periods, shedding light on the ways in which artistic expressions have shaped and been shaped by feminist ideologies and movements.

The essays in this collection offer a diverse range of perspectives and methodologies, drawing from various fields such as art history, cultural studies, sociology, and political science. They explore the ways in which feminist artists have challenged traditional notions of gender, sexuality, and power, as well as the ways in which they have engaged with broader social and political issues such as racism, colonialism, and globalization.

One of the key themes that emerges from the essays is the importance of transnationalism in understanding the relationship between feminism and art. The authors argue that feminist practices and movements have been shaped by the global flows of people, ideas, and materials, and that artists have been able to leverage these flows to create innovative and impactful works that challenge dominant narratives and power structures.

Another theme that is explored in the book is the intersectionality of feminist practices and art. The authors recognize that gender, race, class, sexuality, and other forms of identity are interconnected and cannot be understood in isolation from one another. They argue that feminist artists have been able to address these complex intersections by creating works that challenge stereotypes, promote inclusivity, and challenge dominant narratives.

The essays in this collection also provide valuable insights into the historical and cultural contexts in which feminist art has emerged. The authors examine the ways in which feminist art has been influenced by social movements, political ideologies, and cultural traditions, as well as the ways in which it has responded to historical events such as the women's liberation movement, the civil rights movement, and the AIDS crisis.

In conclusion, Transnational Perspecives on Feminism and Art,1960-1985 is a groundbreaking collection of essays that offers a fresh and insightful perspective on the relationship between feminism and art. By bringing together transnational feminist practices and histories of feminist art, the book provides a comprehensive understanding of the ways in which artistic expressions have contributed to the feminist movement and vice versa. It is a must-read for scholars and artists interested in exploring the complex and multifaceted relationship between feminism and art in the 20th and 21st centuries.

Weight: 630g
Dimension: 181 x 256 x 18 (mm)
ISBN-13: 9780367552404