Understanding Stockhausen

The author highlights the importance of technical developments in telecommunications and sound recording in shaping musical aesthetics in the post-1950 era. He emphasizes the role of ideas of communication and flight in western tradition and discusses examples of early computer music and Stockhausen's use of sublime logic in his music.

Format: Paperback / softback
Length: 75 pages
Publication date: 22 December 2022
Publisher: Cambridge University Press

This collection of essays delves into the intricate technical advancements in telecommunications and sound recording that have shaped the evolution of musical aesthetics in the post-1950 era. While such information is readily accessible online, it may seem perplexing to many who struggle to comprehend its implications from a musical perspective. The author aims to shed light on the significance of concepts such as communication and flight within the Western tradition.

The Element begins with the pioneering work of Varèse and his concept of "noble noise," exploring the emergence of Information Theory and its profound influence on music. It then showcases examples of early computer music, highlighting the innovative techniques and sounds that emerged during this period. Finally, the author defends the sublime logic of Stockhausen's singing helicopters and tornados, emphasizing their ability to evoke powerful emotions and sensations through sound.

In conclusion, this collection of essays provides a comprehensive exploration of the technical developments that have shaped musical aesthetics in the post-1950 era. By highlighting the interplay between communication, flight, and musical expression, the author seeks to deepen our understanding of the creative possibilities inherent in these advancements.

ISBN-13: 9781009294294