Bombay Cinema's Islamicate Histories

Bombay Cinema's Islamicate Histories is a collection of fourteen essays by major scholars of South Asian cultural history and Indian cinema that explores the history and influence of cultural Islam on Bombay cinema. The book argues that the influence of Muslim cultures on Bombay cinema can only be grasped against the backdrop of this long history and that these cultures are inextricably entwined with the traditions of representation, performance, and story-telling that give Bombay cinema its distinctive character. It explores Islamicate genres like the 'Oriental film and the 'Muslim Social, as well as forms of poetry and performance like the 'ghazal' and 'the qawwali. The book is published at a time of acute crisis in the perception and understanding of Islam, where Islamophobia stereotypes Muslims as incipient fifth columns.

Format: Paperback / softback
Length: 440 pages
Publication date: 23 March 2022
Publisher: Intellect Books

Bombay Cinema's Islamicate Histories is a comprehensive collection of fourteen essays that delve into the rich history and profound influence of cultural Islam on the vibrant world of Bombay cinema. Written by esteemed scholars from diverse fields of South Asian cultural history and Indian cinema, these essays showcase the intricate interplay between Muslim cultures and the cinematic medium.

The term "Islamicate" is employed to distinguish Muslim cultures from the religion itself, particularly in South Asia, where a thousand-year history of intermingling has resulted in a vibrant tapestry of syncretic aesthetic expression. This volume argues that understanding the influence of Muslim cultures on Bombay cinema requires a deep appreciation of this complex historical backdrop.

The book is organized into two sections. The first section, titled "Islamicate Histories," explores the historical roots of South Asian Muslim cultures and the precursors of Bombay cinema's Islamicate idioms. It delves into the Urdu Parsi Theatre, the Courtesan cultures of Lucknow, the traditions of miniature painting, poetry, song, and their performance, as well as various modes of storytelling influenced by Perso-Arabic traditions. This section provides a foundational understanding of the cultural tapestry that shaped the development of Bombay cinema.

The second section, titled "Cinematic Forms," delves into how these Islamicate histories are intricately woven into the traditions of representation, performance, and storytelling that define Bombay cinema. It examines the unique characteristics that set Bombay cinema apart, including its distinct style, themes, and narrative structures. The section explores Islamicate genres such as the "Oriental film" and the "Muslim Social," as well as forms of poetry and performance like the "ghazal" and "the qawwali."

Bombay Cinemas Islamicate Histories emerges at a crucial juncture when the film industry in India faces significant challenges. The book offers valuable insights into the historical and cultural factors that have shaped Bombay cinema and its enduring appeal. It serves as a testament to the resilience and creativity of the film industry, which has managed to adapt and evolve in response to changing societal norms and cultural dynamics.

In conclusion, Bombay Cinemas Islamicate Histories is a groundbreaking work that sheds light on the intricate relationship between cultural Islam and Bombay cinema. Through its comprehensive analysis and insightful essays, the book provides a deep understanding of the historical, social, and cultural factors that have contributed to the unique character and influence of Bombay cinema. It is a valuable resource for scholars, students, and enthusiasts alike, offering a fresh perspective on the rich tapestry of South Asian cinema.

Weight: 846g
Dimension: 170 x 244 x 27 (mm)
ISBN-13: 9781789383973
Edition number: New ed