Constable's White Horse (Frick Diptych)

The Frick Diptych series is a collection of books that pair essays by Frick curators with contributions from contemporary artists to illuminate a single work of art in the Frick Collection. The first book in the series, The White Horse (1819) by John Constable, is paired with an essay by Aimee Ng, Frick Curator, and a contribution by artist William Kentridge.

Format: Hardback
Length: 72 pages
Publication date: 18 January 2021
Publisher: D Giles Ltd

The Frick Diptych series, curated with the aim of fostering critical engagement and interest among both specialists and non-specialists alike, presents a captivating exploration of a single work from the renowned Frick Collection. Each book in the series pairs an essay by a Frick curator with a contribution from a contemporary artist or writer, illuminating the rich tapestry of the collection.

Let us delve into the first installment of this series, which features John Constable's iconic painting, The White Horse (1819). Constable, a master of landscape art, captured the essence of a serene and grey morning in summer with this monumental masterpiece. In his own words, he described this painting as a placid representation of a tranquil morning, a moment that held a special place in his artistic journey.

Years later, Constable reflected on the significance of this particular work, acknowledging that it stood out among his other creations. He believed that within an artist's lifetime, there are often one, two, or perhaps three pictures that hold a greater interest and significance. For Constable, The White Horse was one such masterpiece.

To bring this serene depiction of rural life to life, the Frick Diptych series pairs an essay by Aimee Ng, Frick Curator, with a contribution by artist William Kentridge. Ng, a specialist in Italian Renaissance art, delves into the historical context and artistic influences behind Constable's work, providing a deeper understanding of its significance. Kentridge, renowned for his diverse artistic mediums, including drawing, performance, film, printmaking, sculpture, and painting, adds his unique perspective to the discussion, offering a contemporary interpretation of Constable's vision.

The book also features a stunning array of 38 color illustrations, meticulously reproduced to capture the nuances and details of Constable's painting. These illustrations enhance the reader's experience and provide a visual feast for those who admire the beauty of art.

In conclusion, the Frick Diptych series is a testament to the Frick Collection's commitment to presenting thought-provoking and engaging content. By pairing essays by esteemed curators with contributions from contemporary artists and writers, the series offers a fresh perspective on the collection's masterpieces, inviting both specialists and non-specialists to explore the rich artistic heritage of the past.

John Constable's The White Horse (1819) stands as the first installment in this series, showcasing the artist's exceptional talent and his profound connection with the English countryside. Through the collaborative efforts of Aimee Ng and William Kentridge, this painting comes to life once again, inviting us to appreciate its serene beauty and the enduring legacy of Constable's artistic vision.

Weight: 444g
Dimension: 243 x 201 x 12 (mm)
ISBN-13: 9781911282709