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Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory

Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory

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  • More about Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory


The book "Constructs of the Real" explores the theoretical underpinnings of non-fiction filmmaking and features writing from filmmakers and writers who practice theoretically informed filmmaking. It is divided into four sections, exploring intimate first-person works, responses to historical and dominant relationships, multivarious forms of essay films, and the precarity of non-fiction filmmaking. Contributors include Kaveh Abbasian, Judith Aston, Nicholas Andueza, and many others.

Format: Hardback
Length: 306 pages
Publication date: 03 July 2023
Publisher: Intellect Books



Introduction:
Constructions of the Real is a groundbreaking collection of writing from non-fiction and documentary filmmakers who engage in theoretically informed practice and critically reflect on the process of filmmaking. These global filmmakers and writers bridge the gap between academia and industry, exploring the complexities of form, content, and process in their work.
Four Sections:
The book is organized into four distinct sections. The first section focuses on intimate, first-person works that delve into themes of memory and identity. The second section features responses to and interventions in historical and dominant relationships to place, challenging established narratives and exploring alternative perspectives. The third section explores the diverse forms of essay films, showcasing the versatility and creativity of this genre. In the final section, filmmakers engage in a thoughtful discussion about the precarity of non-fiction filmmaking, both in terms of its form and financial rewards.
Anti-Colonial Approach:
What sets this book apart is its anti-colonial approach. It offers a platform for diverse new voices and innovative practices that promote hybridity and experimentation. By challenging traditional scholarship, the book makes space for knowledges that emerge from marginalized communities and underrepresented perspectives.
Engaging with Current Debates:
The book engages with ongoing debates about the role of creative scholarship in revealing, critiquing, and interpreting the world. Contributors include renowned filmmakers, scholars, and critics, who offer their insights and perspectives on non-fiction filmmaking as a knowledge-making practice.
Contributors:
The book features a diverse range of contributors, each bringing their unique expertise and perspective to the table. Some notable contributors include Kaveh Abbasian, Judith Aston, Nicholas Andueza, Elisabeth Brun, Joanna Callaghan, Gerda Cammaer, Philip Cartelli, Lorena Cervera, Jill Daniels, Kath Dooley, Aggie Ebrahimi Bazaz, Andréa França, Catherine Gough-Brady, Robert Hardcastle, Alex Johnston, Elizabeth Miller, Ros Mortimer, Kim Munro, Minou Norouzi, Stefano Odorico, Rebecca Ora, Sheersha Perera, Christine Rogers, Isabel Seguí, Jeni Thornley, and Masha Vlasova.


Dimension: 244 x 170 (mm)
ISBN-13: 9781789387438

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