Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

Japanese Horror Cinema and Deleuze explores how the philosophy of Deleuze can be used to extend our understanding of Japanese horror films, forming dynamic, transformative global networks between industries, directors, and audiences. It also transforms our understanding of key horror tropes and motifs, such as the "monstrous-feminine," making these models more flexible.

Format: Hardback
Length: 264 pages
Publication date: 10 February 2022
Publisher: Bloomsbury Publishing Plc

Japanese Horror Cinema and Deleuze presents a compelling argument that delves into the intricate world of Japanese horror films. By drawing upon theories of national, transnational, and world cinema, as well as genre theories and psychoanalysis, the film offers a fresh perspective on these cinematic masterpieces. Through the lens of Deleuze's philosophy, Japanese Horror Cinema and Deleuze proposes that these existing understandings of Japanese horror films can be expanded in innovative and exciting ways.

In particular, the film explores the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999), and Kairo (2001) (and beyond) establish dynamic, transformative global networks between industries, directors, and audiences. It examines how these films create intricate webs of interconnectedness, linking different regions, cultures, and artistic mediums. By examining the ways in which these films traverse boundaries and challenge traditional notions of cinema, Japanese Horror Cinema and Deleuze offers a profound exploration of the power of horror as a cultural force.

Furthermore, the film delves into the realm of genre theories and psychoanalysis, offering new insights into the key horror tropes and motifs that permeate these films. It examines how these elements are used to create suspense, fear, and emotional resonance, and how they contribute to the broader themes and messages of the films. By exploring the psychological and symbolic implications of these tropes and motifs, Japanese Horror Cinema and Deleuze offers a deeper understanding of the emotional impact that these films have on their viewers.

In conclusion, Japanese Horror Cinema and Deleuze is a thought-provoking and insightful film that offers a fresh perspective on the world of Japanese horror films. By combining theories of cinema, genre, and psychoanalysis, the film provides a comprehensive analysis of the complexities and nuances of these films. It demonstrates how these films create dynamic, transformative global networks, challenge traditional notions of cinema, and explore the psychological and symbolic implications of horror tropes and motifs. This film is a must-watch for anyone interested in the world of cinema and the power of horror as a cultural force.

Weight: 524g
Dimension: 159 x 237 x 22 (mm)
ISBN-13: 9781501368295