Mapping Impressionist Painting in Transnational Contexts

This book explores the transnational circulations of impressionism in the late nineteenth and early twentieth centuries, rethinking its role in shaping these iterations by placing France within its global and imperialist context. It argues that artists engaged with impressionism relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures.

Format: Hardback
Length: 240 pages
Publication date: 03 May 2021
Publisher: Taylor & Francis Ltd

This captivating book delves into the intricate tapestry of the transnational circulations of impressionism during the late nineteenth and early twentieth centuries. The contributors embark on a thought-provoking journey, reimagining the profound impact of French impressionism on these iterations by contextualizing it within the broader framework of global and imperialist forces. Through the lens of mobility studies, they propose a novel perspective, highlighting the interconnectedness of various movements and individuals, forming dynamic constellations of mobility. Artists engaged with impressionism in France, just as in other global contexts, drew upon, responded to, appropriated, and resisted elements of form and content, shaped by the ever-evolving political realities and market structures. Compiled by scholars and curators, the chapters in this volume challenge the traditional notion of impressionism as a historical construct and invite a fresh examination of the meanings attributed to this artistic movement. This project serves as a catalyst for future discussions in art history, cultural studies, and global studies, shedding light on the complex politics of appropriating impressionism and its enduring influence on artistic expression.

Weight: 732g
Dimension: 180 x 253 x 20 (mm)
ISBN-13: 9780367490522