Studies on Authorship in Historical Keyboard Music

This book provides insights into research on musical authorship, with case studies showcasing various methods and approaches. It explores key topics such as the concept of the author in keyboard music between the fifteenth and seventeenth centuries, with a particular focus on J.S. Bach. Contributors include experienced performers and historical musicologists.

Format: Hardback
Length: 206 pages
Publication date: 31 October 2023
Publisher: Taylor & Francis Ltd

This book offers a comprehensive exploration of research on musical authorship, presenting a wealth of case studies that showcase a diverse range of methods and approaches. It delves into key topics such as the concept of the author in keyboard music between the fifteenth and seventeenth centuries, drawing upon the expertise of experienced and internationally renowned performers and historical musicologists who specialise in music before 1800. A particular focus is placed on J.S. Bach, considered an archetypal case study in this field.

The book begins by providing an introduction to the study of musical authorship, outlining the historical context and theoretical frameworks that have shaped the field. It then proceeds to present a series of case studies, each exploring different aspects of authorship in musical works. These case studies cover a wide range of genres, including sacred music, chamber music, and opera, and include works by composers such as Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

Each case study is carefully researched and analyzed, drawing upon a wealth of primary sources and secondary literature. The contributors to the book bring their unique perspectives and expertise to the discussion, providing insights into the challenges and complexities of identifying and evaluating musical authorship. They offer a wealth of practical examples and anecdotes that illustrate the methods and approaches used in the research, and help to shed light on the processes and considerations involved in attributing musical works to specific composers.

Throughout the book, there is a strong emphasis on the importance of interdisciplinary collaboration and the integration of various scholarly disciplines. Historical musicologists work closely with performers and musicologists from other fields, such as art history, literature, and philosophy, to gain a deeper understanding of the cultural and social contexts in which musical works were created. This interdisciplinary approach allows for a more comprehensive and nuanced understanding of the authorship process and the role of the composer in the broader artistic landscape.

In conclusion, this book is a valuable resource for scholars, students, and anyone interested in the study of musical authorship. It provides a comprehensive and interdisciplinary exploration of the topic, drawing upon the expertise of a diverse range of contributors. Through its case studies and analysis, it offers insights into the challenges and complexities of identifying and evaluating musical authorship, and helps to shed light on the rich and complex history of musical composition.

Weight: 453g
Dimension: 234 x 156 (mm)
ISBN-13: 9781032168111