Tactus, Mensuration and Rhythm in Renaissance Music

Ruth I. DeFord's book explores the use of tactus, mensuration, and rhythm in Renaissance music from c.1420 to c.1600, offering new interpretations of music theorists' writings and analyzing the formal and expressive uses of rhythm in well-known repertories.

Format: Paperback / softback
Length: 516 pages
Publication date: 08 February 2018
Publisher: Cambridge University Press

Ruth I. DeFord's groundbreaking book delves into the intricate artistry of tactus, mensuration, and rhythm during the captivating period from c.1420 to c.1600. Spanning two captivating parts, the book explores the profound relationship between theory and practice, offering fresh perspectives on the writings of Renaissance music theorists. In the first part, DeFord presents a wealth of theoretical evidence, introduces the rich manuscript sources, and uncovers the complexities and ambiguities within the realm of tactus theory. The second part takes a theoretical approach, analyzing some of the most renowned repertories of Renaissance music, encompassing the works of Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore. Through this analytical lens, DeFord sheds light on composers' innovative formal and expressive uses of rhythm, unveiling the rich tapestry of musical expression during this remarkable era.

The book's profound conclusions hold significant implications for our understanding of rhythm and its role in shaping music during the Renaissance period. It provides valuable insights for music scholars, performers, and enthusiasts alike, enriching our appreciation of this vibrant and influential artistic era. Ruth I. DeFord's meticulous research and insightful analysis make this book a must-read for anyone seeking to delve deeper into the world of Renaissance music.

Weight: 892g
Dimension: 170 x 244 x 32 (mm)
ISBN-13: 9781107637023