The Cambridge Companion to Seventeenth-Century Opera

The Cambridge Companion to Seventeenth-Century Opera provides an essential introduction to the birth of opera and its developments during the first century of its existence, charting the changing landscape on stage and beyond that shaped the way it was produced and received. It is a valuable resource for undergraduate and graduate students, amateur and professional musicians, and anyone interested in the history of opera.

Format: Paperback / softback
Length: 320 pages
Publication date: 22 December 2022
Publisher: Cambridge University Press

The Cambridge Companion to Seventeenth-Century Opera is a vital and indispensable guide to one of the most pivotal periods in Western musical history, the emergence and evolution of opera during the first century of its existence. Spanning from the Italian roots of opera to its widespread proliferation across Europe and the Americas, this comprehensive volume meticulously charts the shifting landscape that shaped the production and reception of opera. From its sixteenth-century antecedents to the threshold of the eighteenth century, this groundbreaking book offers a broad yet detailed exploration of the various facets of early opera, providing valuable insights for both novice and seasoned scholars alike. It serves as an excellent introduction, suitable for undergraduate and graduate students in universities and equivalent institutions, as well as amateur and professional musicians.

Opera, a captivating art form that emerged in the early seventeenth century, holds a significant place in the history of Western music. This comprehensive companion, authored by esteemed scholars, provides a comprehensive introduction to the world of opera during this transformative era.

The book begins by delving into the origins of opera, tracing its roots back to the Italian Renaissance. It explores the social, cultural, and artistic factors that contributed to the development of this genre, highlighting the influence of composers such as Monteverdi, Claudio Monteverdi, and Jacopo Peri. The companion also examines the early stages of opera, including its theatrical performances, musical styles, and the roles played by singers and instrumentalists.

As opera spread across Europe, it underwent significant transformations. The book explores the various regional styles and influences that shaped opera in different parts of the continent, such as the Italian Baroque, French Baroque, and German Baroque. It also examines the impact of opera on society, politics, and religion during the seventeenth century, highlighting the ways in which it was used to convey messages and promote social change.

The Cambridge Companion to Seventeenth-Century Opera is not only a valuable resource for scholars and students of music history but also for amateur musicians and opera enthusiasts. It provides a wealth of information and insights into the world of opera during this period, including detailed descriptions of operas, analyses of musical compositions, and discussions of performance practices.

In conclusion, The Cambridge Companion to Seventeenth-Century Opera is a indispensable guide to one of the most fascinating periods in Western musical history. By exploring the origins, evolution, and impact of opera during the seventeenth century, this companion offers valuable insights into the rich tapestry of this art form. Whether you are a scholar, musician, or simply an opera enthusiast, this book will enhance your understanding and appreciation of this remarkable genre.

Weight: 708g
Dimension: 169 x 244 x 27 (mm)
ISBN-13: 9780521530460