William Blake`s Printed Paintings - Methods, Origins, Meanings

William Blakes' twelve color printed drawings, or monoprints, from 1795 are investigated in this book. According to Joseph Viscomi, they were made as independent paintings rather than illustrations for Blakes' books, and they were a significant step in Blakes' development as a painter. The book is filled with illustrations and places the works in their historical setting.

Format: Hardback
Length: 256 pages
Publication date: 04 May 2021
Publisher: Paul Mellon Centre for Studies in British Art

William Blake's renowned and celebrated series of twelve monoprints, created and executed in 1795, stands as one of the most celebrated and influential artistic achievements in the history of British art. This comprehensive book delves into the examination of these masterworks, shedding light on Blake's innovative technique, which he developed independently, unaware of the precedents of the 17th century. Through meticulous material and historical analyses, Joseph Viscomi compellingly argues that the monoprints should be regarded as autonomous paintings rather than mere illustrations intended to complement Blake's books. Enriched with abundant illustrations, the text contextualizes the works within their historical framework, while maintaining a distinct separation from the ideas expressed in Blake's writings. This approach allows for a deeper understanding of the monoprints as standalone artistic expressions, contributing to our appreciation of Blake's remarkable artistic journey.
Distributed for the Paul Mellon Centre for Studies in British Art

Weight: 1154g
Dimension: 256 x 228 x 25 (mm)
ISBN-13: 9781913107208